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I am looking for examples of chord sequences that are akin to what is found in mm. 27-28 of Brahms's Intermezzo Op. 117 No. 1, which I guess you could call a Fr.6/V --- vi half-diminished 7 --- V7/V --- V7 progression. Inversion doesn't matter for the purposes of the point I need to make with the example.
Here's the link, in case my description is inaccurate or misleading (I know I got the measure numbers right, at least):
Bryan J. Parkhurst
Mellon Postdoctoral Fellow and Lecturer in Music
Department of Music
New York, NY, USA
SMT Discuss Manager: email@example.com