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Dear Collective Wisdom (with apologies for cross-posting):
A student is looking into the demise of musica ficta in the first
part of the seventeenth century, and is having difficulty finding
discussion of this by theorists or other commentators of the
period. This is not my century of expertise, so I have been of less
help than would be desirable. Any ideas will be gratefully received!
With thanks and best wishes,
University of Houston
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