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NancyGarniez

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NancyGarniez
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Nancy
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  • The perception of tone that produced the eighteenth- and nineteenth-century works to which this statement probably refers was the perception of singular individuals.  The dynamic of tone perception as individual experience, as thoroughly explored by…
    in Exclusive: London professor resigns over ‘woke’ musicology Comment by Nancy Garniez September 2021
  • Nancy Garniez Since the name Zuckerkandl entered the discussion I feel compelled to point out that his thoughtful consideration of issue of notation in relation to dynamic listening, led to my work, Tonal Refraction.  It has been called a reverse no…
    in Studies in Text with Music Comment by Nancy Garniez June 2016
  • I, too, find it absolutely essential to have access to more than one model in order to begin to make sense of music.  The model I created, Tonal Refraction, is a way of dealing with the infinite variability not only of tone but of the perception of …
    in The Experience of Music: The Transcendental Model Comment by Nancy Garniez December 2014
  • This is really an urgent topic as what is at stake in the curatorial aspect of programming is the vitality of the listening audience.  Too much recent programming has simply mimicked CD programming, including the dead spaces between tracks (movement…
    in Curation Theory? Comment by Nancy Garniez October 2014