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      <title>Tagged with duration - SMT Discuss</title>
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      <pubDate>Fri, 23 Apr 2021 03:59:17 +0000</pubDate>
         <description>Tagged with duration - SMT Discuss</description>
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      <title>Rhythmic Contour Analysis of Beethoven Symphony 7/I (Poco sostenuto intro)</title>
      <link>https://discuss.societymusictheory.org/discussion/411/rhythmic-contour-analysis-of-beethoven-symphony-7-i-poco-sostenuto-intro</link>
      <pubDate>Sat, 17 Jun 2017 18:18:14 +0000</pubDate>
      <dc:creator>S_Soderberg</dc:creator>
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      <description><![CDATA[<p>I&#39;ve just put up for comment the draft of a portion of a W.I.P. at the Academia web site&nbsp;which includes an analysis of the intro of mvt I of the Beethoven 7th Symphony. The work as a whole is a series of accumulating &#39;lab notes&#39; titled &#39;Antinomies, Ambiguities, and Broken Symmetries: Decortical Notes on Olivier Messiaen&#39;s <em>&Icirc;le de feu I &amp; II</em>&#39;. Before completing the section which applies a theory of rhythmic contours to the Messiaen pieces, I decided to test the theory on some Beethoven. I&#39;d be interested in any comments on the result.&nbsp;I&#39;d also like to know of any other work in pattern recognition that&#39;s been done specifically on rhythmic&nbsp;contours and/or duration string theory. Please read the theory and the Beethoven analysis here:<br /><br /><a href="https://www.academia.edu/s/c8c8a461ce/wip-antinomies-ambiguities-and-broken-symmetries-decortical-notes-1-on-olivier-messiaens-ile-de-feu-i-ii" target="_blank" rel="nofollow">https://www.academia.edu/s/c8c8a461ce/wip-antinomies-ambiguities-and-broken-symmetries-decortical-notes-1-on-olivier-messiaens-ile-de-feu-i-ii</a></p>
<p>Feel free to comment/critique either on the Academia site or here or send a private note. Thanks!</p>
<p>(BTW: &#39;Decortical&#39; comes from a Messiaen quote: &#39;I teach composition class at the Conservatoire where, for the past forty years, I&#39;ve spent my time decorticating musical works, trying to figure out what happens in them.&#39;&nbsp;Maybe we should finally let our friends in critical musicology have the word &#39;analysis&#39; to themselves&nbsp;and begin to use the&nbsp;term&nbsp;&#39;musical decortication&#39;. Then to be consistent &#39;composition&#39; would be &#39;musical encortication&#39;?&nbsp;Hmmm. Maybe not. Never mind. :-) )</p>
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