If you would like to participate in discussions, please sign in or register.
I’m preparing to teach a seminar on song and the sounds of poetry, and looking for examples of settings in which composers emphasize the sounds of words as much as (or even more than) their meanings. I’m thinking of pieces like Babbitt’s Philomel or John Adams’s Harmonium (whose first movement starts with meaningless phonemes—"n-n-n-n-no-no-no…"—that we only later realize are related to one of the key words of John Donne’s poem). Settings of poetry are preferred, but any language or era will do.
Thanks in advance for your collective wisdom!
SMT Discuss Manager: smtdiscuss@societymusictheory.org
Comments
Babbitt's Phonemena (an array of phonemes)
Daphne
Sorry if this is too obvious, but there are a lot of Ligeti pieces you might look at, such as Clocks and Clouds, Aventures, and the Nonsense Madrigals.
--Jason Yust
Hey Steve, I think Luciano Berio's "Circles" would work well for what you are looking for.
Many thanks, Jason and Adam! These are terrific examples--especially Ligeti's Nonsense Madrigals and Berio's Circles. I'm especially interested in cases where composers emphasize the "purely" sonic aspects of poems, whether subtly or drastically (i.e., alliteration, assonance, rhyme, other vowel and consonant effects, various patterns of sound repetition and variation). These two pieces fall on the drastic side of the spectrum, so they'll definitely come in handy.
It may not be exactly what you were hoping for, but there are numerous passages in "Four Saints in Three Acts" where Thomson takes advantage of some scheme Stein has set up. Some examples off the top of my had:
Thanks, Bob. Great suggestion. Was hoping to include some Stein.
There are works by Kaija Saariaho (such as Lohn) or by Swedish Text-Sound Composers that manipulate poetry electronically is such as way that seems to emphasize the sounds of the words, arguably more than the meaning. Luciano Berio's Sinfonia likewise is a work that has a text, but which seems to privilege the sound of the words.
Poundie Burstein
CUNY
Thank you, Poundie--Lohn is mesmerizing, and it'll work great.
I don't know if you are interested in pop music examples, but a lot of the 90's band Soul Coughing's songs work this way, especially Super Bon Bon (especially about a minute and a half in). www.youtube.com/watch?v=vFyk5NKnWJA
You may already have in mind Paul Lanksy's Six Fantasies on a Poem of Thomas Campion; exploring the "spectrum" between speech and song, Lansky notes that "Each of the Fantasies attempts to musically transform a single reading by Hannah MacKay of a well-known poem by Thomas Campion and to musically highlight some aspect of her speech...explicating the implicit music within." His notes for the CD re-release can be found at
http://paul.mycpanel.princeton.edu/liner_notes/fantasies.html.
(Lansky's comments about Campion's own sensitivity to that "spectrum" and the soundworld of the poem - a "free-wheeling spin about the voice box" - are particularly striking.)
Thanks, Carissa and Anton. I've had Soul Coughing and Lansky on repeat since getting your posts.