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I am wondering if someone somewhere has tagged with a characteristic name the harmonic/melodic schema of I/^3-V6/^5-VI/^8, as distinct from Gjerdingen's "Romanesca" in that 1) ^3 is necessarily over I, whereas ^1 is optional over I, 2) ^8 is necessarily above ^5 in register, which are both above ^3 (if I may, the "US/Canada" distinction), and 2) the schema requires three chords instead of four. Examples include Beethoven, op. 13, ii, m. 3, first three chords (major mode) and Beethoven, op. 109, ii, mm. 1-3 (minor mode); I don't doubt that you know of others.
Associate Professor, Music Theory
Director, Music Theory and Composition Division
University of Kansas